At FPRA CWC’s annual media breakfast, Sara Quinn of St. Petersburg’s incredible Poynter Institute provided the insights public relations professionals need to design messages for today’s changing media world.
All of the tools for communicating our messages are changing so quickly, and we just have to accept that reality. Things are changing every minute. We have to be curious and figure out what’s coming. Something new will be coming this afternoon, not next week.
Every story that comes up has to be defined before it receives the go ahead. Sometimes there is a very short period of time to tell someone what your story is.
How do you find the heart of your story? That’s what you need to engage an editor’s interest. What are the best ways to tell your story? What is your 20 second elevator pitch? If you had 20 seconds in the elevator with Bill and Melinda Gates, what would you say? It’s often the amount of time you have with anyone.
Audio can be a very powerful tool to give people a sense of your environment. Video, writing, timelines, animation, interactivity, polling, games, databases, commenting, ranking, etc. are all important vehicles to tell your stories.
Linear storytelling—like going to the movies, where you’re led through the story—is a type of story. Nonlinear storytelling may allow people to enter through an RSS feed and see a piece of your story somewhere in the middle.
What can you convey with sound and motion?
How can you tell a highly complicated story? Sometimes the press releases stack up and no one looks at them. This is a really important way to get a story out, but there are other possibilities. Texting, e-mail, social media, etc. are all ways to connect.
Find a way to focus the story, allow people to follow an emotion and put a human face on it. Find extremes among a stack of data.
How do you create the perfect pitch? It’s different for television, magazine, newspaper, social media, etc. Here are three tips for pitching:
1. Keep it simple. Think in terms of a single sentence. Make it that simple. Try to boil it down to three words. The pitch to Steven Spielberg for Chicken Run: “It’s the Great Escape…for chickens.”
2. Show, don’t tell. How can you use one word, or one image to convey an emotion to get attention.
3. Pitch stories, not topics. The price of gas is a topic. But gas prices in the US compared to the rest of the world could be a story. Veteran’s Day is a topic. But the caretaking relationships between veterans might be a story. If there’s an event like a parade, the story is why there is a parade. Think of the people involved.
Many editors and reporters delete 100 e-mails a day or more. And often the deciding factor is the subject line—the most important part of your release.
Sample pitch cards for newspaper, television, radio and social media were distributed. Audience relevance is important, and that is based on the type of media among other things.
For newspaper stories, immediacy, in-depth, and timeliness are key. Interesting visuals are important. With magazines, there is a more selective audience. There is a 6 week to 3 month advance deadline. In-depth analysis, trends and features are important. Uniqueness is important as well. Radio should be very personal. With social media, the story must be quickly told and attention-provoking. You will have more control of how the story is told when it is self-published in this way.